Nick van der Leek returns for another leg of his journey through the grotesque and Kafkaesque underbelly of the Oscar Pistorius pantomime. This time he takes readers on a detour on his way to covering Oscar’s “Date With Destiny” on July 6th, Pretoria from inside the courtroom. It’s a path you won’t see coming, and one that will leave you stirring uncomfortably in your chair is it unfolds.
White Horse III examines the darkest spaces of the narcissistic mind, and showcases the agony that betrayal brings. Yet, we are all partially to blame. Our persistence in the belief that perfection exists in this imperfect world has created an incubator for evil.
The substance of narcissism is that one person is one person one moment and another the next. By implication even their own view of the world must be one version one moment, and an inversion the next. So, as Oscar’s moods swing, so must the world in order to remain at his feet. And if you have a narcissist with no feet, don’t worry, he’ll conjure some into and out of existence as needed.
Besides Oscar’s narcissism, is there anyone else’s? There’s an underlying group that has supported Oscar’s song and dance all along. Is Masipa a part of this pyramid of collusion? These individuals may be incentivised to participate or incentivised not to interfere, either way, the authors single them out and put them in the spotlight.
In White Horse III the authors provide a shocking exchange between Oscar’s right-hand PR gal, Anneliese Burgess, and Thomas and Calvin Mollett.
In addition to the extensive psychological examinations, the authors once again step behind the police tape and into the notorious 286 Bushwillow Street. Van der Leek and Wilson walk you through the broken and battered bedroom door along clean carpets to ballistics buried inside the blood-stained bathroom. New revelations have been drawn from the autopsy photos some of which readers get to see for the first time.
White Horse III examines the darkest spaces of the narcissistic mind, and showcases the agony that betrayal brings. Yet, we are all partially to blame. Our persistence in the belief that perfection exists in this imperfect world has created an incubator for evil.
The substance of narcissism is that one person is one person one moment and another the next. By implication even their own view of the world must be one version one moment, and an inversion the next. So, as Oscar’s moods swing, so must the world in order to remain at his feet. And if you have a narcissist with no feet, don’t worry, he’ll conjure some into and out of existence as needed.
Besides Oscar’s narcissism, is there anyone else’s? There’s an underlying group that has supported Oscar’s song and dance all along. Is Masipa a part of this pyramid of collusion? These individuals may be incentivised to participate or incentivised not to interfere, either way, the authors single them out and put them in the spotlight.
In White Horse III the authors provide a shocking exchange between Oscar’s right-hand PR gal, Anneliese Burgess, and Thomas and Calvin Mollett.
In addition to the extensive psychological examinations, the authors once again step behind the police tape and into the notorious 286 Bushwillow Street. Van der Leek and Wilson walk you through the broken and battered bedroom door along clean carpets to ballistics buried inside the blood-stained bathroom. New revelations have been drawn from the autopsy photos some of which readers get to see for the first time.
