'Perhaps the best writer of Arabic fiction alive...'
– The Guardian, 12 Jun 10.
From hostage-video makers in Baghdad, to human trafficking in the forests of Serbia, institutionalised paranoia in the Saddam years, to the nightmares of an exile trying to embrace a new life in Amsterdam... Blasim’s stories present an uncompromising view of the West's relationship with Iraq, spanning over twenty years and taking in everything from the Iran-Iraq War through to the Occupation, as well as offering a haunting critique of the post-war refugee experience.
Blending allegory with historical realism, and subverting readers’ expectations in an unflinching comedy of the macabre, these stories manage to be both phantasmagoric and shockingly real, light in touch yet steeped in personal nightmare. For all their despair and darkness, though, what lingers more than the haunting images of war, or the insanity of those who would benefit from it, is the spirit of defiance, the indefatigable courage of those few characters keeping faith with what remains of human intelligence.
Together these stories represent the first major literary work about the war from an Iraqi perspective.
Long-Listed for the 2010 Independent Foreign Fiction Prize
'Blasim moves adeptly between surreal, internalised states of mind and ironic commentary on Islamic extremism and the American invasion... excellent.' – The Metro, 22 Oct 09.
'Blasim pitches everyday horror into something almost gothic... his taste for the surreal can be Gogol-like.' The Independent, 6 Oct 09.
'Crisp and shocking.... Too febrile and macabre to file under reportage, this cruel, funny and unsettling debut has hooks and twists that will lodge in any mind.' – The Guardian
'The news machine has shifted its attention to Afghanistan, and Iraqis are being left to fend for themselves. Blasim's collection reminds us that anything could still happen there. Iraq's story must still be told, and we need Iraqi voices like Blasim's to tell it.' – Intelligent Life, Nov 09.
From hostage-video makers in Baghdad, to human trafficking in the forests of Serbia, institutionalised paranoia in the Saddam years, to the nightmares of an exile trying to embrace a new life in Amsterdam... Blasim’s stories present an uncompromising view of the West's relationship with Iraq, spanning over twenty years and taking in everything from the Iran-Iraq War through to the Occupation, as well as offering a haunting critique of the post-war refugee experience.
Blending allegory with historical realism, and subverting readers’ expectations in an unflinching comedy of the macabre, these stories manage to be both phantasmagoric and shockingly real, light in touch yet steeped in personal nightmare. For all their despair and darkness, though, what lingers more than the haunting images of war, or the insanity of those who would benefit from it, is the spirit of defiance, the indefatigable courage of those few characters keeping faith with what remains of human intelligence.
Together these stories represent the first major literary work about the war from an Iraqi perspective.
Long-Listed for the 2010 Independent Foreign Fiction Prize
'Blasim moves adeptly between surreal, internalised states of mind and ironic commentary on Islamic extremism and the American invasion... excellent.' – The Metro, 22 Oct 09.
'Blasim pitches everyday horror into something almost gothic... his taste for the surreal can be Gogol-like.' The Independent, 6 Oct 09.
'Crisp and shocking.... Too febrile and macabre to file under reportage, this cruel, funny and unsettling debut has hooks and twists that will lodge in any mind.' – The Guardian
'The news machine has shifted its attention to Afghanistan, and Iraqis are being left to fend for themselves. Blasim's collection reminds us that anything could still happen there. Iraq's story must still be told, and we need Iraqi voices like Blasim's to tell it.' – Intelligent Life, Nov 09.
